300

ARTS 312 Life Drawing II

Continued concentration on drawing the figure with more emphasis on use of color medium. Research papers will deal with contemporary and traditional artists whose work dealt with the figure.

3

Prerequisites

ARTS 212 or ART 252

ARTS 314 Drawing and Painting II

Students expand on theories explored in Drawing and Painting I. Assignments concentrate on the introduction of more personally significant content into the students' work. Thematic series are introduced as a way of exploring complex concepts. While there will be some flexibility between deciding whether to use drawing or painting, some assignments will require both. Research papers are required.

3

Prerequisites

ARTS 115 or ARTS 214

ARTS 315 Drawing and Painting III

Students begin to learn professional practices in application of their chosen medium, construction of support structures, creation of artwork reflecting their interpretation of their roles in society and preparation of their artwork for exhibitions. Students will also research, write and discuss historical and contemporary theories and trends in art. Students decide whether to work in drawing or painting or both.

3

Prerequisites

ARTS 314

ARTS 320 Media Performance I

Course is designed to introduce students to the elements of live performance within a multimedia environment. Elements of live artistic performance (such as music, theatre, poetry, etc.) will be combined with computer-mediated elements to achieve a new style of interactive performance.

3

Prerequisites

(MEDA 215 and MEDA 152) or (ARTS 222 and ARTS 225)

ARTS 321 Installation Art

A studio-based course exploring the broad field of Installation Art as a means of visual expression. A range of materials and methods will be used to create installations that transform the viewer's experience of space. Lectures,demonstrations, and readings introduce students to Installation Art.

3

Prerequisites

ARTS 240 or ARTS 270

ARTS 322 Cinema Arts II

This course builds on the technical and aesthetic foundations of Cinema Arts I and advances students' understanding of the wider possibilities of the cinematic art form through thematic projects. More advanced and sophisticated tools and techniques including the creative use of lighting, camera techniques, and audio design to enhance meaning within the work are introduced. Students will have the opportunity to explore alternative methods of screening and distributing finished projects.

3

Prerequisites

MEDA 152 or ARTS 222

ARTS 323 Experimental Narrative

Students will explore techniques and theories of experimental narrative structure as a counter argument to the dominant and established Hollywood system. Students will gain a deeper understanding of processes and thematic structure that can help advance a narrative direction in their experimental work. Through a series of assignments and projects, students will explore techniques that bridge experimental and the traditional narrative experience. Screenings and readings will reinforce the course work.

3

Prerequisites

ARTS 322

ARTS 324 Special Effects for Experimental Video

An upper-level studio art course that introduces concepts and techniques of special effects to the experimental video making process. Hands-on assignments will cover practical effects in front of the camera and digital post-production effects including advanced compositing of video elements. Emphasis will be placed on obtaining professional results with minimal resources.

3

Prerequisites

ARTS 322

ARTS 325 Interactivity for the Web

A studio production course that offers the opportunity to investigate web art production methods with particular attention to interactivity, navigation, sequence and audience participation. Emphasizes the conceptual and creative potential of the web and the effects of virtual interactivity on the user.

3

Prerequisites

MEDA 215 or ARTS 225

ARTS 327 Audio and Desktop Multimedia

A course designed for students with a strong interest and background in composition, multimedia, audio and MIDI. A project-oriented course focusing on audio design, analysis, and integration as it applies to multimedia authoring, motion video, and web content creation.

3

Prerequisites

(MEDA 152 and MEDA 205) or (ARTS 222 and ARTS 225)

ARTS 330 Relief Printing

An exploration of relief printing as a means of visual expression. Woodcut, Linocut and Japanese Moku Hanga skillsets will be developed. The development of individual expression is stressed.

3

Prerequisites

ARTS 102 and (ARTS 105 or ARTS 205)

ARTS 333 Paper Arts

An introduction to the various techniques and forms of paper arts. Students learn traditional Western and Eastern approaches to making paper, and use paper as an expressive medium for 2D and 3D art forms.

3

Prerequisites

ARTS 102 or ARTS 105 or ARTS 205

ARTS 334 Book Arts

An introduction to various techniques and forms of artist books. Students learn traditional binding as well as contemporary approaches for artist books

3

Prerequisites

ARTS 102 and (ARTS 105 or ARTS 205)

ARTS 335 Monotypes/Monoprints

An exploration of monotypes and the intaglio monoprint artistic medium. Students are directed to experiment with a wide range of approaches to the two techniques.

3

Prerequisites

ARTS 102 and (ARTS 105 or ARTS 205)

ARTS 340 3-D Methods and Materials

This course offers an opportunity to investigate both traditional and innovative approaches to object making. Materials and processes may include hot and cold casting, welding, papermaking, and hand formed cement, among others. Cross-media explorations are encouraged. Technical exploration, craftsmanship, and underlying intent is scrutinized and fostered through class critique, peer review, and required research.

3

Prerequisites

ARTS 240 or ARTS 241 or ART 257 or ART 258

ARTS 341 Figure Modeling II

Continuation of ARTS 241 - Figure Modeling; increased emphasis on technique and expressive content.

3

Prerequisites

ARTS 241 or ART 258

ARTS 350 Experimental Photography

Students will study the working methods of early pioneers of photography, as well as examine present-day software development that fabricates and alters these processes. Historical working methods and contemporary mimicking approaches will be discussed in lectures, examined through readings and will be put into practice through hands-on experience with the materials. Students will expand their photographic vision through the use of experimental photographic processes as well as broaden their knowledge of the history of photography as it has led to new creative processes in combination with digital technology.

3

Prerequisites

ARTS 255

ARTS 351 B&W Film Photography

This course explores the theory and application of 35mm camera controls and black and white darkroom techniques. An emphasis will be placed on the technical skills required to visually express oneself through the analogue photography process. Includes lectures, darkroom laboratory, and field experience.

3

Prerequisites

ARTS 156 or ARTS 159

ARTS 352 Studio Lighting

An introduction to the use of artificial lighting in Photographic Illustration. This is a technical class where emphasis will be placed on the use and control of studio lighting equipment. It is accomplished by lecture, demonstration, practical experience and critique.

3

Prerequisites

ARTS 156

ARTS 353 Photographic Illustration

This course synthesizes previously introduced lighting skills for products and people in both the studio and on location. Emphasis is placed on conceptual problem solving as well as creative application of controlled lighting. Students will study contemporary trends in commercial photography and apply these techniques to a series of photographic assignments. Each assignment will begin with hand-drawn lighting schematics and progress through to the final image. Problem solving and working with a client will be stressed. A DSLR camera with manual setting is required.

3

Prerequisites

ARTS 352

ARTS 355 Digital Imaging

Theoretical and practical introduction to electronic imaging as a creative medium. Understanding of the principals, methods, techniques and vocabulary of the most widely used digital imaging processes with an emphasis on personal expression. Topics explored will include photographic manipulation, collage, fabrication and experimental media as forms of visual expression. Lectures, laboratory work and individual and collaborative projects. Students with Macintosh imaging experience may enroll without the prerequisite with permission of the instructor.

3

Prerequisites

ARTS 255

ARTS 356 The Photographic Narrative

Narrative photography visualizes the stories that surround us, inspiring contemplation and a genuine connection with one another. The course will focus on the art of visual storytelling through the medium of photography. All aspects of photographic narrative and image sequencing will be explored, from documentary to tableau vivant. Through focused investigation, students will explore the technical, historical and inherent narrative power of the photograph. A camera that can take electronic still images is required (this can range from a digital SLR to camera phone).

3

Prerequisites

ARTS 156 or ARTS 159

ARTS 360 Graphic Design III

Introduction to the process of sequencing and organizing images and information across multiple platforms. Provides students with an understanding of tools and technologies used in the creation, reproduction, and distribution of visual messages including books, interfaces, and time based work.

3

Prerequisites

ARTS 261 or ART 260

ARTS 361 Graphic Design IV

Emphasis is placed on conceptual development, symbolic language, and the design of systems across different media. Problem definition and content interpretation is focused on as is the role of the audience in design. Professional practices are introduced including collaboration in the creation of design solutions.

3

Prerequisites

ARTS 360 or ART 359

ARTS 365 Typography I

Principles of typographic composition, structure and hierarchy. Terminology, typographic history, technical issues related to typography. Typography as a medium of visual communication. Student exercises focus on the relationship between visual and verbal language and technical details of typographic specification and computer layout. Advanced placement review; or permission of instructor.

3

Prerequisites

ART 260

ARTS 366 Typography II

Exploration of design using text type and typographic technology. Students investigate narrative and expressive use of typographic form and format/informational organization problems.

3

Prerequisites

ARTS 365 or ART 361

ARTS 370 Intermediate Ceramics

Investigates the intermediate studio problems in the ceramics process. Hand-Building or wheel forming procedures are utilized to explore a variety of experimental approaches to the ceramic form, with a continued emphasis on the search for appropriate surface treatments and firing techniques.

3

Prerequisites

ARTS 270 or ART 273 or ARTS 271 or ART 274 or ARTS 241 or ART 258

ARTS 380 Intermediate Illustration

Exploration of visual narrative structure employed in sequential art such as comics, storyboard art, and graphic novels through interpretive exercises and history of the medium. Students will gain experience ion visual editing, character and story development, and sequential drawing (both with traditional media and digital drawing tablets and software).

3

Prerequisites

(ARTS 280 and ARTS 285) or (ART 380 and ART 252)

ARTS 385 Intermediate 2-D Animation

An intermediate studio concentration on digital line drawn and cel animation, including motion graphics and compositing. Emphasis on story development, character realization, the lip-synch process, multi-layer animation, and title design will be explored through short animation exercises. NOTE: Course prerequisites are ARTS 285 & ARTS 280 however, ARTS 280 may be taken concurrently with ARTS 385

3

Prerequisites

ARTS 285 and ARTS 280*

Cross Listed Courses

* Indicates that the course can be taken in the same semester

ARTS 386 3D Modeling & Animation

An intermediate-level studio course, which builds on Intermediate 2D Animation and Intermediate Illustration, with a concentration on modeling, lighting and some animation. In addition to exploration of 3D modeling and animation, the history of traditional 3D animation is investigated to further understand 3D space and design.

3

Prerequisites

ARTS 385

ARTS 390 Special Topics: Studio Art

Selected studio media and techniques.

1-3

ARTS 396 Studio Art Preliminary Internship

The course allows the student to receive credit for introductory internship experiences, generally on-campus, related to some aspect of their field of study. Enrollment is to be arranged with an appropriate instructor, by permission only.

1-3